Apr 29

 

First. I got tagged in the Lucky 7 Meme by Stephanie Sinkhorn. I’ve already done it, so if you want to read it, go here.
 

So Yesterday I attended the SCBWI Dakota Conference. It was a small event with only about 30 people, but we had three great speakers. Author Cindy Kane, Illustrator Carrie Hartman and Editor Brian Farrey-Latz from Flux—the young adult imprint of Llewellyn Worldwide.
 

Writing is a balancing act

Brian’s presentation was the one with the most information that pertained to me. He’s a dynamic speaker and is fun to listen to. One thing he spoke about was making sure we’re balancing the plot—the action, with the internally emotions of the main character.
 
Apparently this is one of my problems with FROSTY.
 
I signed up for the 15 minute manuscript critique session with Brian. (My first 1500 words) This was so cool because as I said, he’s an actual editor at a publisher that works solely with YA.
 
Some of the ladies there (ladies cause there were only 3 men out of 20 and 2 were speakers) were nervous about their critique. I wasn’t nervous, but I hoped it wasn’t going to be ALL negative.
 
He had some good things to say and of course pointed out the negative. Overall I was happy to hear what he said and the bad stuff didn’t surprise me.
 
Three months ago, I got a critique from someone else in the industry and she commented that things were moving too slowly at the beginning. And that I had too many inner thoughts. So I revised and deleted 12,000 words. I think I went overboard. It wasn’t balanced.
 
Setting and description isn’t my strong suit to begin with, but I cut too much of what I did have at the beginning. Many of the places where I cut are where Brian suggested I add more detail. I’m not going to bring back everything I cut because the key is balance. I just need a little more to establish my setting.
 
I also need to add some more internal thoughts. No big conversations, but just a line or two every occasionally.
 
After I met with Brian, I skimmed through his comments. Most of them are about adding a detail or two. Or to take a few lines and move them out of their current spot to somewhere else.
 
It was a lot of great comments and I’m glad I decided to do the critique. Even though it was a one day conference and didn’t have a lot of attendees, I learned a lot and met a ton of new people.
 
Now time to get back to work.
 
Have you ever had an editor or a literary agent critique your work? How did it go?

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